Basic Guidelines for Building Padmasana

1. Introduction:
In fact there are now many variations of Padmasana building both on the form, layout, and decoration is used. On the basis of diadakanlah one seminar with the topic, entitled Standardizing Padmasana form, with the purpose of obtaining unity of opinion Padmasana building form that can be used as basic guidelines in the development of Padmasana.
At the commission meeting agreed to adjust the old titles with new titles: basic guidelines Padmasana development, to provide flexibility with nature does not reduce the value tattwanya. Basic materials as a source of writing are: infrastructure, discussion, Ürün opinions and participants both in plenary sessions and committee sessions.

2. Understanding.
1. Tattwa.
Padmasana Tattwa based on Vedic scriptures (Sruti and Smriti) and the books containing the teachings of Shiva Sidanta, specifically mentioned in your Lontar Bhuwana, Padma Bhuwana, and Adi Parwa. In principle, embodiments Bhuwana Padmasana is great (the universe) as Ida Trance Widhi Stana. Great Bhuwana Bedawang disimbulkan with Nala (Dates Agni) is ridden by supporting Dragon phallus. Adi Parwa told Amrita search by Mandara Giri rotate / Mount Mandara in Ksirarnawa (sea of milk). Mandara playing Gin in the Dragon Anantabhoga revoke Mandara mountains, Nala Bedawang support it, Naga Basuki twisting, and the gods and the giants play. Finally Vishnu riding Garuda Amrita control it.

2. Function.
Hindus in the effort to bring themselves and worship Hyang Widhi as a means of making Padmasana menstanakan Hyang Widhi.

3. Shape.
In general form Padmasana building was divided into three parts:
1. Tepas (basic).
2. Batur (body).
3. Sari (peak).

Description is as follows
1. Tepas (basic)
Basic Padmasana Nala Bedawang supported by a wrapped by the Dragon. Dragons on the issue could amount to one as a symbol of Hyang Wasuki and also as a symbol of two Wasuki and Anantabhoga Hyang.
2. Batur (body).
In the body there Padmasana pepalihan (odd numbered level 5, 7, and 9) and Garuda and geese ornaments on it also there is a statue that is located Astadikpalaka accordance with pengider-Ider.
3. Sari (peak).
Padmasana peak shape and Singasana consisting ulon, Tabing and virgin body. Ulon can be charged on tangible sculpture Acintya Hyang. The upper part of Tabing should not have other forms of decoration because it describes the nature swah.

4. Layout.
1. Basic principles as the building where the worship padmasana Ida Widhi Trance Wasa took place in most major areas.
2. The factors determining the main areas.
1. Direction of, in accordance with the values of tri loka.
2. East direction, in accordance with the direction of rotation of the earth / the rising sun.
3. Kaja direction according to the location of the mountain / hill.
3. Layout options.
1. Horizontally.
1. East.
2. Kaja.
3. Kaja Kangin.
2. Vertically: the top.

5. Ceremony / upakara.
1. Nasarin (laying the first stone.
1. Accordance with the decision Ngeruwak Supreme Pesamuhan Year 1987.
2. Excavation ". Holes for the base.
3. Purification holes get mebumi sudha levels.
4. Introduction puja prayers with Ananta Boga stawa and stawa Earth. Interest or that have been used kawangen placed on the bottom part of the hole.
5. The placement of the material basis in accordance with the Supreme Pesamuhan decision in 1988.

2. Melaspas.
Upakara of Upakara-pedagingan, Orti, and offerings in accordance with the palm god Tattwa, wariga, Catur Sari and Kesuma Winasa god.

source: www.babadbali.com